Reviews

Aye, for many evil creatures did board said vessel on this ill-fated eve. Vampires, monsters and flesh eating zombies. There were ghastly ghouls and torturous surgeons with blunted instruments dripping in human blood, Australian zoologists from beyond the grave, 80’s heroines and plumbers from a digital dimension.

The ethereal tones spun by Count Vladimir Budden drew the armies of the night towards their altar, and as a deep warm bass filled the vessel they entered a hypnotic state of readiness, swaying and salivating with anticipation. Outside a banner was raised to show that this boat was, for tonight, the property of the Devil.

In a vain attempt to reclaim the vessel, Ghostbuster James Zabiela tried to fight off the monsters with his proton accelerator. As battle commenced he attacked them first with acidic techy beats, but the music just served to spur on their ritual. Volleys of loops, high velocity drum rolls and effects only made them stronger as Satan’s ravers stomped fiendishly through the night.

Zabiela defeated, he had no choice but to submit to the evil hordes, and led their chant as they heralded the return of acid house and the Dark Lord, Woolford.

Disguised as a human, Lord Woolford’s appearance may have been unimpressive, but his command of the music confirmed he was highly attuned to the dark side. He fed the assembled beasts with the warehouse style tracks they so desired, the forbidden 303s and psychotic synthesized stabs. Each change in groove and each subtle mix were crafted by the master to intensify the ecstatic state in which these creatures found themselves. The master had arrived and it was time to rave!

On a more serious note, before our party ended and revellers dispersed back into the night, High Tide paid a fitting tribute to one of our regulars who sadly passed away recently. Lucy S will be missed by us all, and as I’m sure she would have wanted, we remembered her through music, finishing the party with one of her favourite tracks, “Groove Is in the Heart”.

So, what’ve you been up to?

At the weekend I was in Amsterdam, Vienna and Austria - so yeah, quite busy but the gigs were quite good, there have been some really good gigs over the past few months actually.

Have you been in Europe a lot then?

Yeah I’ve been going to Europe quite a lot over the past few years but even more so now I’m not doing the radio and stuff – it’s good, I’ve been in the studio a lot more as well and I’ve started going to college up in Glasgow where I live!

Really, what are you studying?

Oh, just electronic music production – I just wanted to try and move things forward and do something different. The only thing I’ve ever passed in my whole life was my driving theory test and my driving test you know, and I left school at 13 but it’s good.

What’s it like?

When I first thought about being in a classroom full of people it was all a bit weird for me but I’ve got used to it now and it’s quite cool you know.

So you’re at college, you’re DJ-ing around the world – you’ve come a long way from the little 14 year old guy standing on the milk crate to be able to see?

It’s so weird, I look back at the things I’ve been able to do in my life so far – I’m 27 now and I look back at the things that I’ve done and it’s been a whirlwind – the last 10 years to be sure are unbelievable really. I’ve had a great time; I’ve been to some great countries, played at some wicked parties and met some DJ’s who I’ve always looked up to! And then the radio and stuff as well – I never thought I’d be on my local radio you know, let alone Radio f***king 1! How things have happened for me has been like a story or something do you know what I mean – I only came over to England for a week!

Is that when you came over with Tony De Vit?

Yeah, you know I met Tony and pestered the life out of him. I was nearly 16 and had no idea he was gay. There wasn’t really a big gay scene in Northern Ireland then so even if someone was gay I wouldn’t have known what to be looking for. I spent a whole night in this club pestering him for his number, and I grabbed his record bag and took it to his hotel room with him and I’m telling him how I’ve always been into his records and that I left school when I was 13 and I took my shirt off and showed him where I’d been in a car crash and hurt my ribs and he wouldn’t look really and I just thought f**king hell this guys a bit weird in’t he like – have I got some disease or something? And then I went downstairs and there’s people shouting at me Fergie you faggot-magnet and stuff, and I didn’t have a clue!! Tony tried to persuade me not to come to England with him, he was saying you know, you’re only 16 and you’re not like me and it’ll be looked on like something’s going on. I pretended I didn’t know what he was talking about, Tony wasn’t the sort of person who was really camp or a real queen, you know. One time he said over the phone “you can’t come over because I’m a poof” and then hung up on me, but he called back half an hour later and I came over here and didn’t go back!

Do you find it weird that you’re someone who young DJ’s might look up to?

As soon as I had the radio show, I saw that as a great stage to put on records that I love and it wasn’t just a show for me – it was a platform for new DJ’s and producers to let everyone know what they were up to. You know, Dave Robertson, James Talk and Nic Fanciulli – they’re from down your way – were all on there as well, it was a good platform for that.

Who have you got your eye on at the moment?

I think you’ve got to look at Dave Robertson, he’s a sort of unsung hero – I mean, I go in the studio quite a lot with Dave: he’s behind so many good DJ’s who go down into his little shed and make tracks and he’s getting some recognition now so he’s someone to look out for.

So are you looking forward to coming down to sunny Southampton this weekend?

Yeah! I am looking forward to it. I’ve never played for one of the High Tide parties before but I’ve known of them and known Dan for quite a number of years so I’m looking forward to coming down and playing for the party – although I didn’t know Lucy, I’m always up for this kind of stuff you know.

And we can expect a good night?

Yeah, totally, it’ll be a great party (although I’m getting a really early flight the next day because I have to go to college on Monday morning!)

I guess people who’ve not heard a lot of your stuff would associate you with Hard House, how would you describe your sound now?

I wouldn’t say hard house at all now, that sound’s kind of been and gone for the past sort of 4 or 5 years. I think that people have seen that I’ve moved away from that style. There was a time when people would say that I’d sold out to Radio 1 but it’s not the case at all – I didn’t think the format changed, once it had got in the charts producers just wanted more of the same and I got bored! Tony was always one for moving ahead and I just wanted to do that. So I moved on to playing more of a techno sound – over the years it’s definitely matured and I think slowed down, it’s still tough but nowhere near as hard as it used to be, it’s very electronic.

What are you up to this New Year?

New Year I’m playing in Swansea, Nottingham and Manchester at Sanky’s – I haven’t had a New Year’s off for about 10 years, I’ve only been taking one gig for the last few years but this year I wanted to get back into going round the country and seeing what’s happening.

But at the Millennium, I took on 7 and I only made 5 of them, I was really disappointed about that, people said I was being greedy but I wanted to see what it was like to be on a mad race around England on wacky races style adventure with all my friends in tow! We just hired out this limo and hit the road, it was a bit hectic and apart from missing the 2 gigs, which I was really annoyed about, it was really cool – when do you get the chance to do that?!

What can we expect in 2007?

I’m working beside Punch Funk from Portsmouth. We’re taking over the Key bi-monthly, and I’m taking my Eccentric night there, hosting it in the main room. My label kicks off in December, with the first release by the Salt City Orchestra, it’s an old track that really inspired me when I was first DJ-ing and I’ve remixed it. And although I’m not doing the radio show anymore, I’m doing a series of Essential Mixes in the new year, some live and some in the studio so I’m looking forward to them.

What was the last album you bought?

It was Kasabian actually.

So it’s not all about the dance music then?

No not at all, I don’t have a single bit on my I-pod … its’ Simple Minds, Johnny Cash and Def Leopard – since going to college I’m listening to old stuff in a new way – it’s good!

And finally, if you had to spend a few hours stuck in a lift with someone who would it be?

Not to be taken the wrong way but Freddy Mercury – when he was on stage he was on stage, he was the man, what a phenomenal guy… a real performer and I still listen to some of his stuff now – so yeah, Freddy Mercury!

Fergie Thanks very much.

Thank you, see you Sunday.

Interview – Marie–Louise Abretti

Thinking logically about the situation, I’ve decided that the best course of action is to collect my records from home, and then drive to the Premier Travel Inn. There I can get some kip, have a shower and then walk the 10 minutes to Ocean Village feeling refreshed and ready to party. Matt reassures me that this is definitely the right thing to do, and we set off across the New Forest in my clapped out 106, Radio 2 whispering gently from the speakers because that’s about all my head can cope with right now.

We arrive at the luxurious, world renowned Premier Travel Inn, where the flaw in our master plan is exposed. The hotel receptionist politely informs us that it’s nine-thirty, and the earliest we can check in is midday. With no plan B, and certainly no energy to argue with the old dragon, we return to the car park and the reclining seats in the 106 in a vain effort to snatch some zeds from the remainder of the morning. It’s not easy to sleep in a Pug when you’re 6ft 1, but on this occasion I manage it with ease.

At Midday our sleep is brought to an abrupt end by Matt’s mobile phone. It’s the dragon from reception ringing to confirm that our room is available. We return to the hotel and take the lift to the 4th floor, where I sneak in another quick nap before leaving our lodgings for the boat. Still feeling pretty dreadful we arrive at Ocean Village. A few beers should see off the hangover, ready for what’s going to be one hell of a party.

The Lee and James Show, now in its fourth instalment, has to be the stand out event of the year for High Tide. It’s rare that you will see two DJs with so much enthusiasm for their house music, in a back 2 back spectacular anywhere else on the South Coast. It’s a privilege to be at this party. People have come from all over the UK to be here. Plug dj/promoter Pedram has made the trip all the way down from Sheffield, and by the looks of it he’s invested in a new pair of GHDs since I saw him last.

The party kicks off with Resident Gary Bennetton on the top deck; playing a low slung, groove infused mix. He involves the crowd without relying on big breakdowns, just crisp driving bass and clever little hooks. Like the proverbial dangling carrot the music entices people forward, injecting rhythm into their lazy Sunday limbs. It’s impressive to see such an instant reaction to the music. Unlike many of Southampton’s nightspots where punters are too cool to get straight on the dance floor, at High Tide they relish every minute.

Downstairs they like their tunes a little less electronic. It’s an older crowd with an ear for pianos, strings and vocals, as well as a funky bassline. My set starts off with deep, warm US house, but it’s not long before I’m dropping some of my favourite bumpin’ beats to an appreciative dance floor. The Littlemen’s “Decked Out” gets a good reaction and the cheeky vocal sample brings a smile to a few faces. It’s a new sound for the lower deck, which generally plays host to DJs spinning classics, contemporary and Soulful Sounds, but the crowd seemed to warm to it, which came as a relief to a very nervous, and still somewhat groggy yours truly.

When Tom Grist takes over for the mid set it’s my first chance to get on the dance floor, and minus the odd visit to the bar for some light refreshments, that’s where I’m staying for the rest of the trip. Gristy’s playing one of the most inspirational sets I’ve heard on the boat. It’s not just house it’s incredibly diverse, but the main ingredient is Funk…shit loads of it! And all from a laptop, a medium I’d normally associate with blips, bleeps and geeks. I’m dancing next to James Talk and he’s grinning like a Cheshire cat (a very sweaty one). “He’s wicked isn’t he?” says Talky, and everyone nearby nods in agreement. Gristy blends up more urban house and grimey beats before a big Basement Jacks finale, which literally has the crowd stomping their feet and clapping raised hands above their heads.

Jonny B is a resident at Southampton’s “Release” club night, and returns to High Tide for the final set on the bottom level. Jonny delivers a smooth mix of soulful and uplifting house, but with that tough, underground edge to it; none of your Hed Kandi nonsense. While Jonny is queuing his next mix, a rotund gentleman spins himself around one of the ceiling struts before landing on his arse in a heap. No more drinks for him. That sort of behaviour would get you thrown out of a lot clubs, but at High Tide its all part of the fun.

When Lee & James play it’s like two guys practicing their mixing in the bedroom. We’re like their mates, watching in amazement as they get their skills out and show off the new tricks. It’s more of an experiment than a pre-programmed DJ set. Laughing and joking with one another they play up behind the decks, striking poses or pulling a silly face into the camera lens, as Dan Reid prowls around the makeshift booth like a tabloid paparazzi outside Sienna Miller’s. The love of House is evident on their faces as each new record drops, bass resounding across the rammed dance floor. This is electronic music, warped and twisted by two of the best. In the main this music is forward thinking and upfront, but like any good party you need a few classics. Burridge drops “Lock Up” by Zero B and the memories of the old skool days evoke a massive cheer. Zabiela, taking a queue from his senior partner, finishes the party with vintage Prodigy and the crowd in unison to the chorus. As one, as it should be.

The boat has moored and stopped swaying, but the same can’t be said for all of its passengers. I feel a hand on my shoulder and turn round to see Tom Budden looking haggard and bedraggled. “Cluffy you’re going to have to play instead of me at Mono tonight. I don’t think I’m upto it”, a slurring Budden grins drunkenly. He tries to brace his knees as they buckle under the weight of his record bag. The humorous sight of a friend in distress brought little sympathy. “No way mate, you’ve brought this on yourself”, I reply in fits of laughter, “best of luck”.

Needless to say, with perfect weather, two cheeky chappies unleashing a relentless barrage of their favourite tunes new and old, not to mention the unmistakeable High Tide atmosphere, a good time was most certainly had by all, but here’s what Mr Burridge and Zabiela had to say about it all and of course, each other….

So, James, have you had a good time?

I’ve had a great time; I love playing at home (because I can do that without getting told off!) All my friends are here, look – I went to school with that guy… and that one! It’s the same crowd, you know most of them, they always come, everyone’s local and I live just up the road so I can just carry my record bag down – its local party with local people!

And playing with Lee, you both seem to be having the time of your life and it’s become something of a tradition now hasn’t it?

Yeah definitely, and well, you know, he’s the guy that listened to my mix tape all those years ago, he’s one of the reasons I’m doing what I’m doing and it’s an honour, always.

Were you just approaching everyone with your mix tapes at that point, was it luck that you two met?

He’s a really approachable guy and I was only nineteen at the time and felt quite shy, you know, kind of tugging on his trouser leg a bit, but, I felt confident enough to give it to him and then he gave me his phone number and I phoned him up and he listened to it the next day!

At this point, Lee Burridge bounces over, to a not so hushed ‘Lee’s gay!’ from James, and the very excited, very local and very very good James Zabiela heads off to grab some food with one of those guys he went to school with!

Lee, how was it for you?

It’s always the best party of the year. The people are awesome, the people are like so sexy and good looking, it’s so so much fun and nobody can get off – I don’t know how many of them would actually stay if they could leave!! And I can’t wait to come back next year because James is amazing!

You do have something of a soft spot for Mr Zabiela, don’t you?

Don’t you mean hard spot? (Insert comedy camp face and pose, quickly followed by an eruption of near hysterics) I didn’t mean that - oh my god, rumours are going to fly!! Seriously James is really good and this is the fourth one (High Tide Party) we’ve done together, it’s like our tradition now and I cant wait for the next one.

And while you’re waiting for that to come around, how will you be spending your time, got anything exciting lined up for the summer?

I’m going to be in Ibiza, living out there until the middle of August and then I’m going to the Burning Man festival in America, it’s awesome, you should look it up on the internet – it’s a very creative festival, kind of art meets music, like Mad Max the movie, all in the desert! I’m going to go and play and just kind of hang out – I’ve been wanting to go for like, 13 years so I’m pretty excited! I’m also going to be playing all over Europe, and then I’m moving to New York for four months.

Wow! Busy chap, haven’t you only just come back after a year of touring?

Yeah, I had my first night in London on Thursday. That was just kind of a little one, then it’s like my main weekend party at The Key, it’s supposed to be an amazing night, that’s called Familia.

Well, thanks very much for fitting High Tide into your hectic summer, it’s been gorgeous and lots of fun, before you go, a few quick questions…

What did you listen to in the car?

I was listening to loads of 90’s records actually; I was getting all reminiscent and teary and stuff.

What was the last album you bought?

I just got the new Flaming Lips album, which is very flaming lipsy – you know some tracks I absolutely love and some I don’t, the usual!

And finally, what do you do to relax when you’re not jetting around the world?

I like to cook food and play tennis; I’m really into tennis actually (in response to the look of surprise on my face)

Well, Lee, thanks very much, have a good summer.

Thanks, you’re welcome.

So there we were, Joe and I, relaxing with a refreshing drink in the Cork & Bottle, much needed after the parking shenanigans, when my phone rings:

“Where the fuck are you? Get your arse over to the fucking boat now! I was supposed to be on 20 minutes ago. Dan’s going fucking mad…”

Tom explained, albeit using an excess of expletives, that he needed us to bring his records over to the boat so that the party could begin. Knocking back the last of the amber nectar in somewhat of a hurry, we duly obliged. Only one problem remained…the boat wasn’t where it should be.

It was a chaotic start to the afternoon, but worth the effort once we finally boarded and joined the party. Tom, with records, was now in full swing warming things up on the top deck, playing house tracks with that electronic funk feel to them. The sort of sound you’d associate with labels like 20:20 I suppose, disco for the house heads but without the flares. No sunshine as yet, despite teasing glimpses throughout the morning, but it was hotting up on the top deck as the last of the stragglers found their way to the boat’s secret location and hit the dance floor in ‘ave it mode.

With headliner Switch stranded in a studio in the Caribbean (I can think of worse places), the MYNC Project stepped in as last minute replacements for the mid set. The DJ tag team who’ve been pioneering decks & fx for several years, bought with them the party vibe and a box, choc full of dirty house records. No strangers to ripping up the dance floor, the MYNC boys let us have it with the chunky club bass lines and euphoric break downs. Not one for the chin strokers, this set was good ol’ fashion club music the way your momma used to make it. And the lads themselves seemed to enjoy it, spending as much time on the floor as they did behind the decks.

Having not spent too much time on the lower deck at the last party, purely for reasons of personal taste, I thought it would be nice to check out the action for a while. It was quite laidback, with the music a little more accessible and enough space on the dance floor to bust some moves without injuring fellow shipmates. I witnessed one attempt at break dancing, but the chinos and brown loafers gave it away, this guy was no B-boy. On the decks Paul ‘Ridney’ Richards was mashing up bootlegs and remixes of well known hits, new and old. We were rollin’ to the fierce percussion of current smash “Crazy” by Gnarls Barkley, and then all smiles for the sweet melodic riff from Bronski Beat’s “Small Town Boy”. If you like your classics the lower deck rarely disappoints.

Back on the top deck, James Zabiela was about to start the final set. Our resident superstar kicked off with a cheeky display of his skills, creating a fly loop as organiser Dan Reid introduced him to the crowd. “Biela, Biela, B-B-B-B-Biela”. Instantly we responded and a loud cheer went up from the dance floor. James added a deep rumbling bass to the mix and the crowd poised waiting for the first track to drop. When it did, it bought carnage to the dance floor as rave lizards front to back bounced like Tigger on a trampoline.

JZ’s set was pure high-tech house and breaks. He played a set crammed with percussive loops, bit crushing effects, intense drum rolls, the odd bit of scratching, re-edits and layered sounds, echoes, delays and filters (I could go on but we’re not all techno freaks) and most importantly some bloody good records that had us dancing like loons for 2hrs solid. Another cracking boat party for 2006 – bring on Lee Burridge!

What better way to end the day than with a little revenge. As a bleary eyed Tom Budden staggered into our hotel room at stupid o’clock after another stint on the decks in Mono, I remembered earlier on that day when I had been on the receiving end of his foul mouthed rebuke. As he drifted slowly into the land of nod, we held him down and set upon him with a bottle of lip gloss, giving him the makeover from hell. If it wasn’t for all that stubble Tom, I think you’d make an excellent drag queen.

I caught up with a somewhat worse for wear Mark Younghead and, in his words, his Nabu (pay more attention to telly – watch The Mighty Boosh!!), Nick Correlli, at the end of a set that blew me away, to ask them about their High Tide experience, life as superstar DJ’s and of course, that old Bikini story…..

So, what do you make of High Tide, did you enjoy it?

NC: What an experience – it’s an amazing crowd – you’re all really really nice people and you’ve made us feel so welcome, It’s such a great atmosphere in here as well – It’s been great. MY: Really, really, really, really good fun!!!

Now, I must admit, I wasn’t really sure what to expect from your set today, as I have read a few things that describe you as pushing boundaries and experimenting with what you can do with pre-recorded music… is that something you’re making a conscious effort to do when you play out?

NC: Yeah definitely we want to do that, we want to see what we can do, when we play we want to see if we can excite people tonight, see if we can give them something a bit different and that’s all we did really and it was cool! MY: Yeah, I know what you mean - I think a lot of people come expecting some kind of gay garage, I would like to think they’re pleasantly surprised – we’re really not about that… (Mark now wanders off to try and find the girl “giving away big red lipstick kisses”!)

So, Nick, is that your approach to what you do, to have fun playing with what you’re doing? How do you look at it?

NC: We just try and do something a little bit different really – we want to have the best fun at the same time. That’s what being a DJ is all about really the experience – having a good time, there’s nothing worse than seeing a DJ looking really bored and like he’s not having the best time – I like to see DJ’s dancing around and I like to have fun when I play!

So if you weren’t a DJ, what would you do for a living – not many jobs where you can dance around!?

NC: I’d have loved to be a porn star but I’m not really hung for that!

So how did you know that you wanted to be a DJ - was there a particular song that made you want to be up there?

NC: Quincy Jones, Ai No Corrida!

And what tracks are you guys listening to at the moment?

NC: I’m a really big fan of the Arctic Monkeys actually and am really into Metallica at the moment.

So when you’re not playing out and partying, what do you do to relax?

NC: Reading, sleeping and doing very normal things I’m afraid.

What are you reading?

NC: I’ll read anything interesting, The Da Vinci Code’s really good, but quite heavy.

What’s coming up in the future for you two?

NC: Well, we’re shooting our video next week which will be ridiculous – not really looking forward to that one! Loads more production and Djing and just running out label really! We’re playing the opening of Pascha on June 2nd which should be a fun one, and you know the usual playing out in Asia, Europe… Same old Same old!!

MY: (now returned) We’re playing out in Ibiza which is always good in the summer!

There are loads of stories of your ‘crazy shenanigans’ – for example finishing a set then running in bikinis down a beach - can we be expecting any more of that this summer or is that a repuatation that you guys just don’t deserve…?

NC: I’m not wearing a bikini right now but I really don’t know where all these stories come from and would be interested in finding out… because they’re actually all quite true!!

First boat of the year is always a bit of a social as well as a rave up. It was great to see some old faces back in town, some new faces on the boat for their first time, and some red faces that looked like they hadn’t had a proper night’s sleep in days. One of the latter was to be found tucking into a pre-boat panini in the Cork & Bottle. I’ve never seen anyone sweat that much while standing still, and I can only put it down to the tale tell signs of excess.

With beers and handshakes out the way it was time to board, as resident Gary Benetton kicked things off. Gary’s set, in typical High Tide style, was full of energy. Pumping out the fat bass for the masses he soon got it rocking and before long the party atmosphere swept across the top deck. Minus a short break in the music while the Captain gave his safety announcement, the dance floor remained locked into the groove for the next four hours. First boat of the year is always a bit of a social as well as a rave up. It was great to see some old faces back in town, some new faces on the boat for their first time, and some red faces that looked like they hadn’t had a proper night’s sleep in days. One of the latter was to be found tucking into a pre-boat panini in the Cork & Bottle. I’ve never seen anyone sweat that much while standing still, and I can only put it down to the tale tell signs of excess.

With beers and handshakes out the way it was time to board, as resident Gary Benetton kicked things off. Gary’s set, in typical High Tide style, was full of energy. Pumping out the fat bass for the masses he soon got it rocking and before long the party atmosphere swept across the top deck. Minus a short break in the music while the Captain gave his safety announcement, the dance floor remained locked into the groove for the next four hours.

Anyone who thought computers were for geeks was to stand corrected when Dave Robertson and his laptop took over from Gary for a special live set. In the past I’ve been a bit wary of DJs with laptops. With all those tricks at your fingertips it’s easy to get carried away with the effects and spoil the groove. Not Dave though, he nailed it. In fact it was all about the groove; a dirty house groove that kept building peaking and dipping down ready to build again. Unspoiled, original, and truly underground, each time the bass line morphed into something slightly harder than the last I could hear the little voices in my head cheering, “Come on”.

“Rocker” was the solitary word on the front of our next DJs grey T-shirt, and you can’t really argue with a T-shirt. Meat Katie had come down from London with the expressed purpose of letting us have it! With more 4 four and less breaks than I expected (which to my mind suits the boat crowd) Meat Katie absolutely hammered it to us. Filthy acid fuelled stompers came rasping out of the speakers and the floor went crazy for it. The DJ had done his homework too, I noticed, dropping the odd High Tide favourite like the Evil 9 remix of “Towards the Sun”. By the look on his face, I think Mr Katie had a good time on the boat. His fists seemed to be in the air as often as the crowd’s. He played a quality set to end a quality boat party, and provide proof that High Tide is still the best underground house event on the South Coast.

So what of the after party? Well to be honest I’m just surprised they let me in, having hit the gin a little too hard early in the day. My memory of Mono that evening is at best a little sketchy, but friends have been kind enough to fill in some of the blanks for me. Meat Katie came back for a second round to join Tom Budden on the decks. Tom took charge early doors, playing quite a trendy mixture of minimal, tech and electro house. Banging it out a bit harder than we’ve come to expect from him after the boat, Tom made a conscious effort to keep the club vibe going. This worked really well and Mono’s dance floor filled a lot quicker than usual. Later on, Tom and Meat

Katie went back 2 back changing up through the gears into some quite ferocious house and breaks to end the night.

As a personal triumph for the evening, I resisted the strong urge to ask our headliner why he was named after a Mono pizza, and successfully saved myself the embarrassment of looking like a twat. I did however go through a bit of a Trinny and Susanna phase, offering several High Tiders what I believed at the time to be some handy fashion advice. I can only speculate as to what brought on this momentary personality defect, but I think it was Gristy’s hideously offensive red Freerange jumper. Tom Budden also fell foul of my rebuke for wearing a fishing hat. I would also like to apologise to James Talk for licking his face.

Summer’s officially here then. The boating season has begun, and High Tide has set out its stall with some top draw underground house from the UK’s finest. I hope you all enjoyed yourselves, old hats and newcomers alike. See you on the next one for Switch and JZ. And remember boys and girls…stay off the Bow.

Anyone who thought computers were for geeks was to stand corrected when Dave Robertson and his laptop took over from Gary for a special live set. In the past I’ve been a bit wary of DJs with laptops. With all those tricks at your fingertips it’s easy to get carried away with the effects and spoil the groove. Not Dave though, he nailed it. In fact it was all about the groove; a dirty house groove that kept building peaking and dipping down ready to build again. Unspoiled, original, and truly underground, each time the bass line morphed into something slightly harder than the last I could hear the little voices in my head cheering, “Come on”.

“Rocker” was the solitary word on the front of our next DJs grey T-shirt, and you can’t really argue with a T-shirt. Meat Katie had come down from London with the expressed purpose of letting us have it! With more 4 four and less breaks than I expected (which to my mind suits the boat crowd) Meat Katie absolutely hammered it to us. Filthy acid fuelled stompers came rasping out of the speakers and the floor went crazy for it. The DJ had done his homework too, I noticed, dropping the odd High Tide favourite like the Evil 9 remix of “Towards the Sun”. By the look on his face, I think Mr Katie had a good time on the boat. His fists seemed to be in the air as often as the crowd’s. He played a quality set to end a quality boat party, and provide proof that High Tide is still the best underground house event on the South Coast.

So what of the after party? Well to be honest I’m just surprised they let me in, having hit the gin a little too hard early in the day. My memory of Mono that evening is at best a little sketchy, but friends have been kind enough to fill in some of the blanks for me. Meat Katie came back for a second round to join Tom Budden on the decks. Tom took charge early doors, playing quite a trendy mixture of minimal, tech and electro house. Banging it out a bit harder than we’ve come to expect from him after the boat, Tom made a conscious effort to keep the club vibe going. This worked really well and Mono’s dance floor filled a lot quicker than usual. Later on, Tom and Meat

Katie went back 2 back changing up through the gears into some quite ferocious house and breaks to end the night.

As a personal triumph for the evening, I resisted the strong urge to ask our headliner why he was named after a Mono pizza, and successfully saved myself the embarrassment of looking like a twat. I did however go through a bit of a Trinny and Susanna phase, offering several High Tiders what I believed at the time to be some handy fashion advice. I can only speculate as to what brought on this momentary personality defect, but I think it was Gristy’s hideously offensive red Freerange jumper. Tom Budden also fell foul of my rebuke for wearing a fishing hat. I would also like to apologise to James Talk for licking his face.

Summer’s officially here then. The boating season has begun, and High Tide has set out its stall with some top draw underground house from the UK’s finest. I hope you all enjoyed yourselves, old hats and newcomers alike. See you on the next one for Switch and JZ. And remember boys and girls…stay off the Bow.

A few hours later, neither of us looking particularly fresh but both of us still smiling from ear to ear, we caught up for a chat as the partiers made their way back to shore…

So, Mark, How was it?
Wicked, that was really wicked… I hope they ask me back!

Good, the crowd loved you and am sure everyone hopes you’ll come back – what did you make of them and the High Tide experience? It’s Just so much more personal isn’t it – you know, you can hear people asking for tunes and I want to play the tunes they’re asking for as well! In a club you don’t really get to do requests and I was blown away by it. It was awesome, really awesome and I hope they ask me to come back!

What have you been up to over the last few months?
I have just finished a new album (insert cheeky grin) it’s called vibrator – that’s out in June… I’ve been travelling around Djing a bit – I’m remixing James Zabiela’s new single and I’ve got a few cool remixes coming up as well including Marco Baily.

You’re a busy busy man – in fact often described as a workaholic, how would you reply to that?
I just know that it could all end tomorrow and really feel that I should grab it all while I can, I guess I worry that I could stop. It’s just my insecurity I guess - I’ve worked so hard for 15 years to be in the position I’m in and now people are actually coming to my shows and I just want to do more, y’know what I mean. I feel like I’m on the first rung of the ladder now and I can do so much more!

I hardly think you’re on the first rung of the ladder! So, what does a ‘bottom rung of the ladder’ DJ do with his summer – are you off anywhere exciting?
Yeah, actually I’m doing some touring around Canada and Australia, obviously doing some European stuff, going to Spain, I played a festival last Friday in Estonia called Elements which was wicked, I’d love to go to the Exit festival in Serbia – always sounds like a good one, maybe one day. I’m only doing one UK festival – the Glade

And now for the essentials, what track was it that made you want to be a DJ?
Oh god, there’s so many different ones, I guess it was Strings of Life, I really liked that when it came out and I really liked Depth Charge and I love the Stantons… you know, lots of different stuff from now and back in the day really.

And do you think that comes across in your sound?
Yeah, I try to keep it eclectic really – not that I play acid house but I always remember that feeling of anything goes, if you like a track ply a track - if you can get it in, then get it in. If you know people are going to dance to it and you want to dance to it then get it in there!

And what are you listening to at the moment?
To be honest I listen to a lot of alternative stuff, I really like the Zutons at the moment – I’m a real sucker for that stuff and I’m a massive Arctic Moneys fan – I think their blinding.

So it’s not all about the breaks for you then?
No no not at all, although within breaks I really like the atomic Hooligan album – it was excellent.

And your ultimate track to get everyone on the dance floor?
I don’t know, it’s really hard because tracks can play differently at different moments, track by track it’s the right one for the right moment.

And does that come into play when you’re planning a set, how much preparation goes into it all?
Well, I try and take everything that I’m definitely not going to play out, you know there’s so much stuff in there and I guess I do it in reverse, take away the things I don’t want… but I’m always thinking about mixes and putting sets together I guess, I don’t think this is something that you can do half hearted – it’s always there.

Mark, thank you very much.

In 2005, High Tide has proven they still throw the best parties in the South, entertaining you with the cream of the UK club scene. From Ibiza residents Woolford & Mills to rising superstars like Fanciulli and Lisle, it seems the big jocks are queuing up around the block to get a piece of the action. But New Years Eve is about looking to the future, and with that in mind the job of welcoming in 2006 went to home grown DJs, James Talk, Dan Reid, Tom Budden and err….me.

Playing on the boat has been something I’ve really aspired to, and to be honest I’m surprised the chance came around so quickly. I can’t really comment on my own performance, but I will say that doing the warm up was made dramatically easier by the attitude of the crowd, most of whom were ready to have it the second they got on board. This is an attitude that seems unique to High Tide on the Southampton scene, and I think reflects the passion of our clubbers for the event. Well anyway, I bumped it out for an hour and a half, playing some of my favourite jazzy riffs and garage bass lines. I hope those present enjoyed it.

Excessive drinking and first time nerves meant a rapid departure from the decks at the end of my set, but on hand to take over were a dj pairing that has become quite a feature on the scene this year. Dan Reid and Tom Budden, back to back as we say in the business, treated us to a midnight set of chunky, funky electro-house, some classics and a few breaks for good measure. As 12 o’clock approached the pair had worked the dance floor into a suitable frenzy, ready to count in the New Year. The bubbly was handed out and the music stopped briefly while couples had a quick snog and clubbers wished each other all the best.

Five…Four…Three…Two…One…Cowgirl!!! The party resumed to euphoric applause and the familiar sound of an Underworld classic. 2006 arrived with a bang and the dance floor responded. Dan then wowed the crowd by demonstrating his ability to keep his beats matched and check in with the missus all at the same time, one hand flicking the faders while the other franticly thumbing the buttons on his mobile. Even Zabiela would have been impressed with such a show of dexterity.

As I said 2006 is about looking to the future, and headlining the boat was a lad who has a very bright future in dance music, James Talk. A talented dj and producer, Talk has a firm grasp for what makes a crowd rock. New Year’s Eve he had them eating out of the palm of his hand. With everybody on their feet, James Talk punished the dance floor with the fullest of full on chunky house. High Tide’s faithful, immersed in Talk’s filthy acid were giving it plenty as the boat returned to its dock and the Captain called a halt to the revelry.

So here’s looking forward to 2006, with some very exciting projects to come from the High Tide Team. We will continue to bring the biggest and best names to Southampton over the summer. Also, as I’m sure you’ve already heard, there will be an on-shore event early in the spring at Bournemouth’s Opera House in conjunction with Tribal Sessions.

Thanks to everybody who came to our New Year Party. I hope you enjoyed it as much as I did. It was great to see a lot of new faces too, showing that the High Tide legend is spreading to a new generation of Southampton’s clubbers, and will surely march on to critical acclaim in the coming year.

How you doing Jon?
“Amazing! I have always wanted to play here, have been coming to these parties for years, it’s the only place worth leaving London for – such a good vibe”

So, London is the best night out in the country?
“Well, I think fabric’s amazing, fabric and Bedrock are the best clubs in the country, you just can’t beat them – they have an incredible atmosphere – just like here - I love it!

You’re glad to be back in good old England then, because I understand you’ve been travelling quite a bit recently…?
"I have been travelling around a bit: Buenos Aires, Turkey, Poland – lots of gigs - It’s been hectic! I’ve also been spending quite a lot of time in the studio working on some new stuff."

And amongst all that, you still find time for your record label, how’s that going – what can we be looking out for?
"Yeah, M Theory’s doing well, it’s something that can always keep me busy – setting up your own label and putting out the music you want to hear is a brilliant thing. The next release is a track called ‘One’ by Momu, and its fucking amazing – it’s a sound that’s reminiscent of New Order – with a breakbeat feel to it, well worth a listen!"

And what’s the latest thing rocking your world and keeping you dancing?
"I’m really into Matthew Johnson at the minute - he’s done a few things that are really amazing, and I went to see a couple of great sets in Ibiza this summer – there’s a lot going on to be excited about at the moment."

High Tide party-goers will be well aware of the links between you and John Digweed, is that something you’ve had enough of talking about….?
"No, not at all, he’s a very good friend of mine and he’s done a lot for me."

So, how does it feel to be constantly described as his protégée – do you feel like there’s a pressure there or is it just a huge compliment?
"To be honest, it’s not something I think about like that – John was a hero to me for a long time, inspiring me as a DJ and for the last ten years of my life, he’s been a friend and provided me with so much support. I honestly feel humbled and honoured when people say that about me!"

Personally, as I’m sure High Tide partiers will agree, the praise is not undeserved – you have got a unique sound and style which never fails to get the crowd going, and I think we all owe Mr Digweed some thanks for bringing it to light,
"I’m very grateful for what John’s done for me and it means a hell of a lot to my music and me. Especially right at the start when he put so much into helping me get to the level I want to be at."

Talking of your beginnings, I have been told that Bedrock’s 3rd Birthday party was the first Club gig you ever played – Did that complete blow you away?
"Yeah, it was actually! John told me in May that I would be playing and I spent May to October just shitting myself building up to this big night – I’d spent years DJ-ing in my bedroom and he just threw me in at the deep-end, gave me this huge opportunity and that night was amazing and completely changed my life!"

And do you still get that incredible feeling or do you get used to it after a while?
"Every single time mate! It’s incredible – It’s all about the reaction of the crowd – like tonight, you can see that they’re into it and dancing and they’re giving you great feedback. It ‘s THE best feeling in the world!"

From the point of view of the dance floor, a set is always so much more alive when you can see the DJ is really into it too – it’s good to know it works both ways,
"Definitely - I loved every minute of it and can only say thank you to everyone tonight, for an amazing party! Thank you!"

Any final messages for the High Tide Party people…?
"DON’T EVER STOP DOING WHAT YOU DO! I think it’s brilliant and it’s beautiful!"

Interview By Marie-Louise Abretti

Clowning about behind the decks to start proceedings was High Tide newcomer, Tom Grist. Sporting possibly the most offensive bow tie on the planet, Gristy welcomed us to the dancefloor with house grooves that subliminally suggested, “dance to me, I’m well funky”. The floor filled up quickly and gave Gristy licence to toughen up in the later half of his set. He obligingly dropped one or two of those dirty, squelchy, sickening tracks that have earned him his rep as one of Southampton’s most unique sounding DJs. Formerly referred to as “Fidget House”, from now on we’re calling it, “Crusty Brand House Music”.

As the witching hour drew near it was time for the first of our headliners, Jonathan Lisle. You would have been forgiven for thinking he had come to collect ET, rather than play records. As far as I was aware there were no biochemical hazards on board (except maybe the Bow), but best to play it safe I suppose. There was no messing about from Lisle, here on business, who launched straight into the pulsating dark basslines that make him a Bedrock favourite. This set was sinister, and the spooks were well up for it. Lisle built up the pressure, track on track, it was relentless, throbbing, driving underground house. Then at the peak he hit us with the ecstasy. Lisle’s crazy fingers on the synth sent old school pianos stabbing out of the speakers at the dancefloor like Norman Bates giving it plenty!

Back after a summer break, High Tide homeboy JZ took charge for the finale. Laying it down for the freaks a pale faced Zabiela (was he in costume or just a bit sea sick?) let rip with only the finest electro house bad bwoys. Tunes came chunkier than the Stay Puft Marshmellow Man, as I’m sure all the Ghostbusters on deck would agree, mixed up expertly with Zabiela’s trademark craftiness. The boat kept rocking until firmly back in the dock and it was time for the creatures of the night, all thoroughly monster mashed, to return to their respective layers or parallel dimensions.

A quick word about the costumes: It’s the attitude of the people who make High Tide what it is, and this Halloween you guys really nailed it! Fantastic effort on the fancy dress front, so guys…thank you very much. My personal favourites were Chewbacca, Kill Bill, Sherlock Bones, Jimmy Saville (I think), and some weirdo with glowing eyes, though none were more scary than our very own Dan Reid in leathers…straight out of the Blue Oyster Bar.

See you New Years Eve.

Review by Cluffy

I'd yet to witness one of Wooly's sets, but I'd been a fan of his productions for years and if Space, the best club in the World, think he can do the business behind the decks then who am I to argue.

THE BOAT

Resident DJ Gary Bennetton is playing the first set. Some people are chatting and catching some rays, others came here to dance and Gary's got them locked into a groove early doors. Basslines just flow when he plays, seamlessly one into the next. Gary drops a remix of Soul II Soul's, "Back II Life". As the track kicks in with Caron Wheeler's uplifting vocals over a pounding bass, one excited clubber bounces headfirst through the ceiling of the upper deck. Plastic roof tiles clatter down, much to the amusement of his friends.

Outside, two learned men of Southampton are dishing out tips on leading a healthy lifestyle. As it turns out, it's been proven that, "smoking menthol fags makes you loose your sperm count". Make of that what you will, but gents, you've been warned.

Dan Reid's next up on the top deck, starting things off with a sleazy vibe and the crowd are feeling it. A couple of lads try their hand at pole dancing, but the cringing faces of the girls looking on show they're not finding the routine appealing in the slightest. Meanwhile, Reid's keeping things chunky. Just what the doctor ordered, some dirty bass for a Sunday afternoon in the sun. At the peak of his set Dan starts dropping bombs. The dark tones of the Sith Lord emanate from the speakers. Daft Fader is mixed into Captain Hook, Reid's unleashed one of the tracks of the summer, and the High Tiders are lapping it up.

Downstairs the vibe's easy going and its all smiles, Ridney's on. Today he's got the laptop with him to spice things up a bit. The first tune I hear makes me grin, and provokes a little air guitar.its Dire Straights. Ridney is knob twidling with precision, building a groovy and melodic set that's got the crowd moving merrily on the dance floor. The summer sounds continue when headliner Paul Farris takes control. He shows us why he's one of the most respected men in House with a set that's deep, soulful and emotive, full of lush strings and ethnic percussion. The girls twirl and the guys step to the beat. Everybody's having a good time!

So the time has come for Paul Woolford, and from track one he's tearing it up. This set is positivelty fresh, full of energy and excitement. Wooly's in full control of the dancefloor taking us up, down and making us jack. He's playing electro-tinged basslines, tunes that bleep and squelch getting right in your brain, and peaking with ferocious acid that's making people screw up their face and pound the air with their fists. This is what it's all about, pure aural pleasure.

THE AFTER PARTY

Getting across Southampton to the after party can be a mission as taxis are at a premium. Sometimes though, the walk can be an adventure.you never know what you might encounter. You may stumble upon an impromptu rendition of "Me Ol' Bamboo" from the musical "Chitty Chitty Bang Bang", performed by one partygoer to an audience of al fresco diners at a Vietnamese restaurant. No round of applause for this High Tider. No calls for an encore, just shock and utter disbelief.

Not being one for the classics set, I head to Mono to continue my frivolities. By this time it's all a bit hazy, and standing up can be a task in itself. Dancing is a good way to stay on your feet and Tom Budden is laying down the necessary grooves, keeping a lid on the pressure until the dance floor is ready to let go. When he takes his foot off the break its mayhem in Mono. Joined for another stint by Paul Woolford the pair keep it pumping 'til the close, by which time the wear and tear is beginning to show on a few of the faces.

Outside Mono a shadowy figure, his face contorted and shoulders hunched, clutches in his hand part of what used to be a mobile phone. As I approach he holds the moulded plastic shape towards me with a look of despair etched on his brow. This sorry image should be a warning to all those who step on board the Ocean Scene.

.keep off the Bow!

Reviewed by Cluffy.

I've been very lucky with the support my tracks have recieved this year. I think my records are quite exciting, I always write music with the dancefloor in mind, and try to imagine what kind of sounds in a track would excite me in a club and make me dance.. My tracks are very simple, but have strong ideas, I.E. a big bassline or catchy acid line. Which are very dancefloor friendly ideas. DJs alike respond to this, and essentially play music which works on the dancefloor.

Tell us a little bit about the work you've been doing with Radio 1 legend Pete Tong. How did it come about and what have the two of you been up to?

Totally by chance to be honest, we got chatting over email, I mentioned I had been messing about with a peice of software called Ableton Live, he was very interested in the idea and I offered to come to London and give him a tutorial. At the same time a lot of my tracks had been featuring in his DJ sets, and he had used my track "Love that Acid" on his Mixmag "Future Classics" CD. He telephoned me a few days after I went up to London, asking if I would remix Wally Lopez's forthcoming track with him, so I took my laptop into his studio, and we completed the mix in a few days. We are going to be working on a lot more music in the next year, some original stuff as well, as well as more remixes. We work very well in the studio together, he has a wide knowledge of music and knows exactly what he wants.

Several of your own productions have been signed up to Nic Fanciulli's label, Saved Records. "Love that Acid" was released earlier this year, and I believe that "House Rhythm" and "Get Down" are out soon. What can we expect from these two tracks, can you describe them to us?

Both tracks are as different from each other as they are from "Love That Acid". "House Rhythm" is a drum driven track, build around a big bassline, and rolling percussion. "Get Down" however is a funkier track with pads, and a killer synth stab, which drives the track along, and I suppose you would call it the "Hook" of the track. Its got a cut up little vocal where the name of the track takes its reference from, and an acid line drops midway through the track. Trevor Loveys is in the process of remixing it, and it should be on the shelves for November/December,

Your remix work includes tracks by Danny Howells, Buick Project, Stretch N Vern and recent chart toppers the Gorillaz. How do you go about choosing a track to remix? Are the remixes offered to you or do you think - I want to remix this particular track - and then seek the artists' approval?

Bit of both really in the case of Danny Howells and Stretch & Vern I was offered the remixes from the labels. This proces works by them sending over the original track, and I decided wether I want to remix it or not. Sometimes its difficult to remix a record, if its a simple track with few elements there is'nt much of the record that you can remix, In this case both tracks had lots of melodies and vocals, which makes remixing a lot easier, The Buick Project remix was a little different, I'd had the original track "@ the rave" for months, and I asked the producer of the track Nic, for the parts to mess about with, and I came up with the remix in a few days, and sent it back to him, he was very pleased with the outcome. I'm not sure if it will be released yet, If so it may not be untill 2006. The Gorrilaz Remix I did, is technically not a remix, its more of a re-edit. The original track is so good, I felt it didnt need a remix just more of a club friendly feel. I didn't actually change anything musically or create anything new, i just added a little more pecussion over the top and extended the intro and outro of the track to allow DJ's to mix it. I gave a few cds or it to a few friends, and a huge buzz circled around it very quickly. Pete Tong was the first person to play it on radio 1, then it became Buzz Chart No 1 two weeks later. Annie Mac also played it, I hear there was a big buzz in ibiza around it too. We aproached the Gorillaz record label Parlyphone, to see if they would be interested in releasing the re-edit. But we heard nothing back from them so it will just be a DJ special for a friends of mine.

High Tider's will be aware that you're a talented DJ as well as a producer. You've played on the NYE boat and at the Mono after parties. Which gives you more satisfaction, rocking a party or finishing a wicked new track?

I'd have to say rocking a party. I enjoy writting music too, and its definately the reason why my profile has risen over the last 12 months. But writting music is a very lonely process, locked in a studio for hours, with no instant reward. Where as djing is fun, your in the middle of a big party, entertaining people, its an instant adrenalin rush.

Are you being offered more sets these days as a result of your production work? Tell us about some of your forthcoming gigs.

Yes, im getting offered a lot more DJ sets, no doubt down to my production work, as well as emailing a lot of people telling them about me, and giving out mix cds. In the next 4 months i'm playing Godskitchen in Birmingham, Renaissance @ The Cross in London, Turnmills in London, Moscow, Slovenia, and lots more gigs in sunny Southampton.

If you could choose 2 other DJs to be on the same line up at a gig, who would you choose and why?

First off I'd choose Thomas Grist (Gristy), hes definately one to watch, a rare talent, with superb music tastes and he isnt afraid to experiment. He is an inpiration to me as a DJ, and i'll help him out anyway I can in the future with warm up sets.

Second would be Nic Fanciulli, A great DJ and friend who has been the reason why im doing so well, hes opened a lot of doors for me and given me a lot of chances. The least I can do is give him a booking;)

We've seen some top names gracing our own floating decks this year. Who in your opinion has played the best set of 2005 @ High Tide?

Well I missed the Lee Burridge & James Zabiela Boat Party as I was DJing elsewhere, but out of the DJ's I've seen proberbly Paul Woolford. I'd never seen him DJ before, but I was very familiar with his productions. He kept the floor rocking for 2 hours and his track selection and mixing was superb.

Will you be coming to the Halloween special? Any clues as to who you will be dressing up as?

Unfortuantely I wont be coming to the Halloween Special boat party this year, as i'll be DJing for Renaissance @ The Cross with Hernan Cattaneo. If I were to go however i'd proberbly dress up as Andy from Little Britain.

Anything else you would like to say before you go?

Gristy does not kiss cats. he does however eat paper.

Interviewed by Cluffy.

Following on from the, 'doin' mad stuff', theme of his "Alive" mix album, "Utilities" is all about taking this a step further by utilizing more of the new technology available to DJs. Looping, chopping tracks, sampling, effects and live remixing, all thrown in to create Zabiela's unique blend of total craziness. It's much more than just playing records these days.

With Tom Budden on warm up duty (making a better job of this than organizing the décor) Mono began to tap its feet to the dub house grooves of the early evening. Getting people to strut midweek can be a challenge, but by the end of his set, Tom had the heads nodding and the hips wiggling in time with the music.

JZ, fresh from his beauty treatment at the salon, arrived to take the reigns and immediately battered the dance floor with high speed drum loops and crunching sounds that shook the crowd into life. Think back to the days of Street Fighter II. Remember E Honda and his Hundred Hand Slap? Well that's Zabiela behind the decks, hands a blur as they move between CDJ, effects unit, laptop and mixer.

With a staccato techno feel, the start of this set was not for the faint hearted. JZ kept up the pressure for a good while before easing his foot off the accelerator and settling into a groove, laced with samples and electro bass lines. The mid set had a less aggressive vibe, and a far housier, layered feel to it.

It wasn't long though 'til JZ was picking up the pace again, launching into a ferocious breaks finale in the manner we've come to expect, throwing classic anthems like "Higher State" over plump DJs. Zabiela then wrapped things up with a melody in the form of Imogen Heap's new track, "Hide & Seek", drawing the night to a close by putting a smile on the face of those on the Mono dance floor.

Thanks to James, Renaissance and Mono for putting this night on. Good luck with the album sales!

Reviewed by Cluffy.